艾薇儿：我搬出了父母的小屋，坐上了一辆旅游大巴，没有任何束缚

样式和另类的沙哑是一个强有力的组合，让Let Go高于其他流行钢琴演奏包被。几乎在居然，世界各地的女夫妻俩们开始把项链代替男士的袜子，把身躯闪光汁代替羊毛手镯，把牛仔代替工装裤。她的截图之中亦有Avril破坏大型商场、和一群小女夫妻俩朋友们体操的屏幕，人们看得入迷。《于是就》特赦了一群7到15岁的夫妻俩，他们感受到了厌倦，于是就地希望塑造Avril的形象。

“I was getting out of high school and I just wanted to rock out,” says Lavigne today, speaking from her home in Malibu ahead of the album’s 20th anniversary. “I want loud guitars, I want live drums … I want to write about the crazy stuff, the insane emotions, the good and the bad.”“我刚从高之中毕业，我只自已流行乐上去，”艾薇娜以前在她位于马从当年布的家从当年真是，在单曲20周年纪念之当年。“我希望响亮的跳舞，我希望工作人员的鼓声……我自已寄给一些恐怖的东西，恐怖的情绪，好的和坏的。

All of this, Lavigne says, was a genuine reflection of her teenage experience. Born in Ontario, Canada, in 1984, she spent most of her childhood in Napanee, a small town with a population of roughly 5,000, where she wrote poems, learned to play guitar and hung around with the grungy kids. She initially made a name in the country music world, an influence that can be heard in some of the twangy cadences and narrative storytelling on Let Go. She even performed on stage with Shania Twain after winning a radio contest in her early teens, before signing to Arista Records and moving to California at 16.Avril真是，这一切都是她青少年时期亲身经历的真实揭示。1984年，她出生于加拿大人安大略省，少年时期的基本上一段时间都在伊利尼度过，那是一个人均收入约为5000人的农庄，她在那从当年寄给诗，学弹跳舞，和看上去的夫妻俩们朋友们玩耍。她早先在乡村钢琴演奏界风靡一时，这种制约可以从《于是就》之中一些带有鼻音的节奏和刻画小故事之中自已到。她甚至在十几岁时夺下广播比赛后与Shania Twain朋友们登台表演，最后续约Arista维京的唱片，16岁时搬到加州。

I remember being at home at 14 and thinking: I need to hurry up and get this music thing going!

Even at the time, Lavigne felt acutely aware of her innocence within the music industry. “I didn’t even know what Hollywood was or what record deals were,” she says. The process of finding co-writers and producers who matched her artistic style involved an endless string of uncomfortable meetings in corporate boardrooms; her age coupled with her lack of understanding of the mechanics of production led to a struggle to get her sound across. “They didn’t care what I had to say; they had their own style and didn’t bother to look at me and try to let me lead,” she says.我自已到14岁的时候，我在家从当年自已:我须要加快速度，让这钢琴演奏投身于无论如何!

即使在那个时候，Avril也清楚地意识到自己在钢琴演奏界的温柔。“我甚至不告诉他好莱坞是什么，也不告诉他的唱片买断是什么，”她真是。找出符合她巴洛克式的倡议导演和导演的过程，涉及在新公司董事局从当年无休止的感不舒服的开会;她的年龄加上她对自制机制的缺乏解读，导致她努力让她的沙哑传播进来。“他们不在乎我真是什么;他们有自己的风格，愿意多看我恰巧，也愿意让我领导。”

However, Lavigne’s instincts were strong: “I was very clear on what I wanted to do and what I didn’t want to do. I wanted to be angsty and to sound more like a band; I didn’t want to be all bubblegum pop. I wanted to turn my emotions into lyrics. I was honestly just very, very pure.”然而，Avril的直观很强烈:“我很清楚自己自已花钱什么，不自已花钱什么。我自已越来越情绪，听上去愈来愈像一个乐团;我可不自已转成泡泡糖。我自已把我的内心深处转成首歌。我知道非常非常纯洁。”

She eventually settled on a music writing and production trio known as the Matrix, consisting of Lauren Christy, Graham Edwards and Scott Spock. The moment things began to click for the group was when they wrote their first track together, the song that become Lavigne’s breakout hit, Complicated. “I didn’t know what hits were, but my body and my intuition knew that this was a hit song,” she says. “I was like: ‘This is fucking cool, this sounds cool to me.’”她最终决定成立一个原称“黑客帝国”的钢琴演奏创作和自制黑衣人，由劳伦·克从当年斯蒂(Lauren Christy)、格雷厄姆·爱德华兹(Graham Edwards)和霍华德·斯波克(Scott Spock)一组。当他们朋友们创作第一首曲时，这首歌视作了Avril的爆款，《复杂》。“我不告诉他什么是热点曲，但我的身躯和直观都告诉他这是一首热点曲，”她真是。“我曾经自已:‘这太他妈酷了，我真是这听上去很酷。’”

Over the next year, Lavigne and the Matrix would meet in studios and hotel rooms across southern California to build the 13-track album. The themes were heavily influenced by Lavigne’s life, which at the time, she says, mostly involved wearing “fat skate shoes” and finding skateboarders hot. But while many of her songs were fun and frivolous, such as Sk8er Boi, or light and melodic, like Mobile and Anything But Ordinary, darker emotions cut through elsewhere on Losing Grip and the album’s only ballad, I’m With You, which Lavigne says is still a highlight of her live performances.在接下来的一年从当年，艾薇娜和“黑客帝国”在南加州的录音室和酒超市房间内从当年会面，自制了这张13首歌的单曲。这些意象广受Avril社会生活的制约。她真是，在曾经，她的社会生活主要是西装“卷曲的体操鞋”和发现花样者很大受欢迎。不过,虽然她的很多曲是有趣和无聊,比如Sk8er小女夫妻俩,或光和旋律,如移动和不该平凡,深色的内心深处跨越在保住控制和单曲的民谣,我与你同在,拉维妮真是她的工作人员表演的仍然是一个亮点。

The combination of these different themes and attitudes made for an album that could be played repeatedly without becoming repetitive. “I wrote this album right when I got out of high school and now I get to hear these lyrics of me talking about my small town and my obsession with skater boys,” she says. “Even things like in My World, I literally talk about the fact that I got fired by a ‘fried chicken ass’ I worked for at a fried chicken chain. It’s hilarious. I look back at those lyrics, and I’m like: ‘I can’t believe I said that in a song.’”这些并不相同的意象和作风的紧密结合造就了一张可以反复播放而不必越来越重复的单曲。她真是:“我高之中毕业时就寄给了这张单曲，现在我自已到这些首歌讲述我的农庄和我对花样小女夫妻俩的着迷。”“即使是在《我的世界》之中，我也知道谈到了我被一家炸鸡连锁超市的‘炸鸡屁股’停职的事实。它是滑稽的。我刚才看那些首歌，我就自已:‘我不敢相信我在一首歌从当年真是了那样的话。’”

The naivety and simplicity of her lyrics turned out to be a key to her success. Targeting a young audience, Let Go propelled Lavigne beyond two-hit wonder status. But even with the success of the album, she couldn’t quite grasp quite how big it had become. “I remember my manager being like: ‘Do you realise you’re No 1? And still No 1 this week and No 1 this week and then this week?’”首歌的玩世不恭和简单视作她取得成功的极为重要。《于是就》以年长观众为尽可能，让Avril超越了两次取得成功的奇迹。但即使单曲大获取得成功，她也未能解读这张单曲的制约力有多大。“我自已到我的经理真是:‘你告诉他你是第一吗?仍然是这周第一，这周第一，然后这周第一?’”

Lavigne’s self-assurance obscured just how young she was when she rose to fame – and that she did so during a time when young celebrities were facing extreme sexualisation and horrifying invasions of privacy. However, Lavigne stood apart from other female pop stars at the time through her “tomboy” look and active criticism of her contemporaries. (In one interview, she mocked Britney Spears for “dressing like a showgirl”.)Avril的自信显露了她红极一时时的年长，而她红极一时的时候，年长的电影明星们自始陷入着极端的时尚化和可怕的个人资料侵害。然而，Avril通过她“假小子”的相貌和对同时代人的积极批评，在曾经的其他流行女歌手之中脱颖而出。(在一次记者之中，她嘲讽布兰妮•斯皮尔斯“脱下得像歌舞女郎”。)

Looking back at her treatment in the early 00s, does she wish it had been different? Unusually, Lavigne feels gratitude for being a teenager when Let Go debuted. “I remember being at home and being 14 and thinking like: ‘I need to hurry up and get this music thing going!’” She laughs: “I was like: ‘I want to be doing this while I’m YOUNG!’回顾她在0020世纪早先的遭逢，她是否希望情况有所并不相同?并不相同寻常的是，当《Let Go》首次亮相时，Avril对自己还是一个十几岁的少年心存感激。“我自已到14岁的时候，我在家从当年自已:‘我须要加快速度，让钢琴演奏的发展上去!’”她笑着真是:“我曾经自已:‘我自已趁我年长的时候花钱这件事!”

“I moved out of my parents’ house and directly into a tour bus, not having any rules,” she adds. “I was like: ‘I can drink beer now and eat pizza every day’ and I just got to hang out with my band and travel the world. It was crazy, but it was pretty special.”“我搬入了祖父母的住所，必要拉到了一辆旅游服务公交车，从未任何驱使，”她补充真是。“我自已:‘我现在可以每天喝啤酒，吃饭豆子了’，我可以和我的乐团朋友们进来玩，周游世界。这很恐怖，但也很值得注意。”

Let Go will be rereleased this summer.《于是就》将于来年夏天再次首播。

。

潍坊比较好的男科医院
广州肿瘤检查费用
重庆白癜风医院哪家更好
天津看男科专业医院
武汉白癜风医院哪最好
食欲不振
药品价格查询
治疗癫痫
祛痰止咳
999ask健康资讯